ââåhouse in the Gardenã¢â❠Exhibition at the Museum of Modern Art in 1949 Philip Johnson

Philip Johnson: The Latest Architecture and News

Advertizing Classics: 1988 Deconstructivist Exhibition at New York's Museum of Modernistic Fine art (MoMA)

When Philip Johnson curated the Museum of Modern Arts' (MoMA) 1932 "International Exhibition of Modern Architecture," he did and then with the explicit intention of defining the International Mode. As a guest curator at the aforementioned institution in 1988 aslope Mark Wigley (now Dean Emeritus of the Columbia GSAPP), Johnson took the reverse approach: rather than present compages derived from a rigidly uniform set of blueprint principles, he gathered a collection of piece of work by architects whose similar (but not identical) approaches had yielded like results. The designers he selected—Peter Eisenman, Frank Gehry, Zaha Hadid, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and the firm Coop Himmelblau (led by Wolf Prix)—would testify to be some of the most influential architects of the tardily 20th Century to the nowadays twenty-four hours.[one,two]

Inside the exhibition (1988). Photographer unknown. Image via MoMA Inside the exhibition (1988). Photographer unknown. Image via MoMA Inside the exhibition (1988). Photographer unknown. Image via MoMA 1988 Catalogue Cover. Image via MoMA + 6

Inside Philip Johnson's Underappreciated Glass House in Manhattan

The architectural legacy of the Rockefeller family in Manhattan is well-known, most manifestly demonstrated in the slab-like Art Deco towers of the Rockefeller Center and the ever-expanding campus of the MoMA. But in a metropolis that is filled with landmarks and historic buildings, information technology's piece of cake for even the most remarkable projects to go unrecognized. Philip Johnson's Rockefeller Guest House in Manhattan was completed in 1950, just one year after the construction of his better known Glass Business firm in New Canaan. The Glass House is an obvious cousin to the later on guest firm: both feature largely empty drinking glass and steel boxlike forms, where structural piece of work is exposed and historic.

half dozen Unique Long Weekend Travel Ideas for Architects

The "architectural pilgrimage" is much more just everyday tourism. Studying and admiring a building through text and images often creates a hunger in architects, cheers to the space between the limitations of 2d representation and the truthful experience of the building. Seeing a building in person that one has long loved from a distance can get something of a spiritual feel, and architects often plan vacations around favorite or of import spaces. But likewise oftentimes, architects become transfixed by a need to visit the same dozen European cities that take come to brand up the traveling builder'south bucket list.

The listing here shares some sites that may not have fabricated your list just nevertheless. Although somewhat less well known than the canonical cities, the architecture of these six cities is sure to hold its ground against the world'south all-time. The locations here make ideal long weekend trips (depending of class on where you are traveling from), although it never hurts to have more than a few days to actually become immersed in a metropolis. We take selected a few must-see buildings from each location, but each has even more to offer than what yous come across hither—so don't exist afraid to explore!

How the Crystal Cathedral Is Adapting for a New Life Out of the Spotlight

When the Crystal Cathedral was synthetic near Los Angeles in 1980, its design was pure Hollywood: designed by Philip Johnson and John Burgee for televangelist star Robert Schuller, the design combined traditional elements of church design with features that made it suitable for television broadcasts. However, when Crystal Cathedral Ministries filed for bankruptcy in 2010, the building was passed to a very different tenant, the Roman Catholic Diocese of Orange, who and so deputed Los Angeles-based business firm Johnson Fain to adapt the edifice to be a better fit for the Catholic Church.

A recent article by Mimi Zeiger for Architect Magazine investigates how Johnson Fain are converting the 1980 archetype into something more suitable for its new life out of the spotlight—including modulating the light inside the vast all-glass structure and rearranging the seating.

Architecture Research Office Selected to Renovate Philip Johnson-Designed Rothko Chapel

© Chad Kleitsch
© Chad Kleitsch

New York's Architecture Inquiry Office (ARO) has been selected to pb in the renovation and master planning of the Rothko Chapel in Houston, Texas. The project aims to modernize and improve the renowned structure, which houses fourteen monumental paintings by Mark Rothko in an interior infinite designed to run into the creative person'due south precise specifications, and its surrounding plaza and reflecting puddle. The original building was largely designed by Rothko himself, with consult from a trio of architects including Philip Johnson.

Philip Johnson's Drinking glass Firm Featuring Yayoi Kusama's Exhibition Will be your New Obsession

Artist and writer Yayoi Kusama has created an installation for the Glass Firm that will be on display in celebration of the 110th anniversary of Philip Johnson's nativity, as well every bit the 10th anniversary of the opening of the Drinking glass House site to the public.

From September 1 through 26, Dots Obsession – Alive, Seeking for Eternal Hope will be on display, with the Drinking glass House itself covered with polka dots. "Visitors who attend the exhibition during this time will exist offered the unique experience to simultaneously run into the world through the eyes of both Philip Johnson and Yayoi Kusama."

© Matthew Placek © Matthew Placek © Matthew Placek © Matthew Placek + 12

Winners Appear in Ideas Competition to Reimagine New York Land Pavilion in Queens

The National Trust for Historic Preservation and People for the Pavilion have appear the winners of the New York Country Pavilion Ideas Competition in the Queens civic of New York.

Sponsored by Queens Borough President Melinda Katz, the contest chosen for artistic ideas to reimagine Philip Johnson'due south New York Land Pavilion, a "forgotten star" of the 1964-65 World's Fair.

Call for Submissions: New York State Pavilion Ideas Competition

How do y'all reinvent an architectural icon for the 21st century? How can you inspire people to see potential in a structure that has been off limits for decades? And how do yous activate a public infinite in a mode that is sustainable for futurity generations? The National Trust and People for the Pavilion invite you lot to do but that by envisioning a bold and optimistic hereafter for the New York Country Pavilion.

25 Architects You lot Should Know

Equally an unavoidable art course, "compages is ane of humanity's most visible and long-lasting forms of expression," writes Complex Media. Inside the past 150 years—the period of modern compages—a singled-out form of artistry has developed, significantly changing the way we look at the urban environments around us. To highlight some of the key figures in architecture over the past 150 years, Complex Media has created a list of "25 Architects Y'all Should Know," covering a range of icons including Zaha Hadid, Ieoh Ming Pei, Philip Johnson, Oscar Neimeyer, SOM, Daniel Libeskind, and more. Read the full listing to acquire more about each iconic architect, hither.

Exhibition: Side by Side: Philip Johnson's Drinking glass House and Mies van der Rohe's Farnsworth Business firm

Next is an exhibition by photographer Robin Loma that explores the similarities and differences between two of America'southward most iconic houses. The Glass Firm by Philip Johnson and The Farnsworth Firm by Mies van der Rohe. Through a series of dyptychs, Mr. Hill's lens explores both the geometry of the structures and their place in the environment. Tellingly the exhibition is housed in the Seagram Building designed by Mies van der Rohe and assisted by Philip Johnson. The lobby of The Four Seasons is an ideal venue for this exhibition equally much of the blueprint artful of both architects is prevalent in the infinite every bit well as in the photographs.

Video: Creative person Animates five Iconic Modern Homes

Five of history'due south most iconic modern houses are re-created every bit illustrations in this two-minute video created by Matteo Muci. Set to the tune of cleverly timed, light-hearted music, the animation constructs the houses slice-by-piece on playful pastel backgrounds. The five homes featured in the short but sweet video are Le Courbusier'south Villa Savoye, Gerrit Rietveld's Rietveld Schröder House, Ludwig Mies van der Rohe's Farnsworth Firm, Philip Johnson'south Glass House and Frank Lloyd Wright's Fallingwater.

Low-cal Matters: Creating Walls of Light

Modernism induced a shift in lighting away from luminaires and towards invisible light sources that render spaces in a purer (forgive the pun) light. For the first fourth dimension, lit walls were used to ascertain rooms and to structure compages. Today I'd like to explore early on prototypes - including Philip Johnson's Brick House and the Seagram Building - and discuss how their lighting techniques continue to influence compages today.

Grazing light at Sancaklar Mosque, Istanbul. Architects: Emre Arolat Architects. Image © Thomas Mayer Wallwashing at British Museum, London. Architecture: Foster & Partners. Lighting design: Claude Engle, Chevy Chase, Maryland. Photo: Dennis Gilbert / View. Image © ERCO, www.erco.com Wallwashing at Nordrhein-Westfalen House, Germany. Architeture: John Pawson. Photo: Werner Huthmacher. Image © ERCO, www.erco.com Cove lighting at private spa. Designer: Carmody Groarke. Lighting design: Lighting Design International. Image © Christian Richter + 8

The Earth'south Fair New York State Pavilion to Exist Digitally Preserved

If you haven't heard of CyArk yet, make certain to bank check out their contempo Kickstarter projection. The not-for-turn a profit company digitally preserves some of the earth's most important sites: including Easter Island, Mt. Rushmore and The Pantheon, to proper noun a few. Now the group is headed to New York to preserve Philip Johnson and Lev Zetlin'southward 1964 World's Off-white New York State Pavilion. Since the fair concluded, the pavilion has fallen into disrepair and been heavily vandalized. With aid from the University of Fundamental Florida, they plan to release the digitally preserved 3D files to the public, for free. To help preserve this "National Treasure," check out their Kickstarter folio.

Artist Fujiko Nakaya Shrouds Philip Johnson's Glass Firm in Fog

Celebrating the 65th anniversary of Philip Johnson's iconic Glass House, artist Fujiko Nakaya has created the building's beginning ever site-specific fine art installation. The installation, titled "Veil", volition shroud the glass house in fog for 10 minutes every hr, creating a dialogue with Johnson's blueprint intentions past breaking the visual connexion between within and out, and covering the building'south precipitous, clean lines with misty indeterminacy. At the same time it will make literal Johnson's ideal of an architecture that vanishes.

Read later the break for more information and images

Light Matters: Richard Kelly, The Unsung Master Behind Modern Compages'south Greatest Buildings

Richard Kelly illuminated some of the twentieth century'due south nearly iconic buildings: the Glass Business firm, Seagram Edifice and Kimbell Art Museum, to proper name a few. His design strategy was surprisingly simple, but extremely successful.

Lighting for compages has been and withal often is dominated past an engineering viewpoint, resigned to determining sufficient illuminance levels for a safe and efficient working environment. With a background in phase lighting, Kelly introduced a scenographic perspective for architectural lighting. His point of view might wait self-evident to today's architectural community, but it was revolutionary for his time and has strongly influenced modern architecture.

Read more than about Richard Kelly'south remarkable, and unsung, contribution to architecutre, later on the break.

Entrance, Seagram Building, New York. Image © Ezra Stoller/Esto Seagram Building, New York. Image © Thomas Schielke Entrance, Seagram Building, New York. Image © Ezra Stoller/Esto Bar, Four Seasons Restaurant, Seagram Building, New York. Image © Hagen Stier + eleven

The Trust Declares Philip Johnson's New York State Pavilion a "National Treasure"

Philip Johnson's "iconic" New York Country Pavilion has been listed as a "National Treasure" by the National Trust for Celebrated Preservation. This designation, which was announced today at the 1964-65 World'due south Off-white'due south 50th anniversary commemoration in Queens, declares the pavilion a "historically, culturally and architecturally important site" and will help raise awareness and funding for its preservation. It is now one of but 44 national sites bearing this recognition.

"In the last 50 years, Flushing Meadows Corona Park has grown from the site of the World's Fair to the home of the World'southward Park," said Queens Parks Commissioner Dorothy Lewandowski. "As nosotros gloat this anniversary, information technology is just equally important that nosotros look to the next 50 years and plan for the Park's time to come. I would like to give thanks the National Trust for Historic Preservation for honoring the New York Land Pavilion as a 'National Treasure'. This designation will highlight the importance of the Pavilion as a national icon, and help us to continue the conversation nearly how information technology can best serve Queens' residents."

Tour Philip Johnson's New York State Pavilion Tomorrow

For the first time in decades, Philip Johnson's New York Land Pavilion volition open up to the public tomorrow (April 22) in celebration of its 50th ceremony. Congenital for the 1964-65 Globe's Fair, "the Pavilion represents a pivotal time in American history when the allure of putting a homo on the moon inspired renowned builder Philip Johnson to create this emblem for Space Age enthusiasm," described Stephanie Meeks, president of the National Trust for Historic Preservation.

AD Classics: PPG Place / John Burgee Architects with Philip Johnson

via Wikipedia Commons
via Wikipedia Commons

The design of PPG Place, by Philip Johnson and John Burgee, melds the notion of the modern corporate tower with a neo-gothic monument. Clad in near a one thousand thousand foursquare feet of glass manufactured past the anchor tenant PPG industries, the architects ingeniously rethought accustomed practices in drapery wall design to create "the crown jewel in Pittsburgh'due south skyline." (1) The one.57 million square foot complex was one in a series of loftier contour corporate projects completed during Johnson's controversial foray into postmodernism.

Night view of fountain and tower. Image © Highwoods Properties 2014 Glass reflections. Image © Highwoods Properties 2014 © Flickr user nooccar Ground Level Plan + 33

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Source: https://www.archdaily.com/tag/philip-johnson/page/2

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